| dc.contributor.author |
Brown, John Russell |
de_DE |
| dc.date.accessioned |
2011-02-18 |
de_DE |
| dc.date.accessioned |
2014-03-18T09:54:20Z |
|
| dc.date.available |
2011-02-18 |
de_DE |
| dc.date.available |
2014-03-18T09:54:20Z |
|
| dc.date.issued |
1992 |
de_DE |
| dc.identifier.isbn |
0939-5482 |
de_DE |
| dc.identifier.other |
337779902 |
de_DE |
| dc.identifier.uri |
http://nbn-resolving.de/urn:nbn:de:bsz:21-opus-49725 |
de_DE |
| dc.identifier.uri |
http://hdl.handle.net/10900/46754 |
|
| dc.description.abstract |
This essay examines ambiguities in Hamlet and argues that wordplay represents the nature of Hamlet's mind, making audiences keenly aware of his inner dissatisfaction and come to expect some unambiguous resolution at the end of the tragedy. |
en |
| dc.language.iso |
en |
de_DE |
| dc.publisher |
Universität Tübingen |
de_DE |
| dc.rights |
ubt-podok |
de_DE |
| dc.rights.uri |
http://tobias-lib.uni-tuebingen.de/doku/lic_mit_pod.php?la=de |
de_DE |
| dc.rights.uri |
http://tobias-lib.uni-tuebingen.de/doku/lic_mit_pod.php?la=en |
en |
| dc.subject.classification |
Polysemie , Shakespeare, William , Shakespeare, William / Hamlet |
de_DE |
| dc.subject.ddc |
820 |
de_DE |
| dc.subject.other |
Ambiguity |
en |
| dc.title |
Multiplicity of Meaning in the Last Moments of Hamlet |
en |
| dc.type |
Article |
de_DE |
| utue.publikation.fachbereich |
Anglistik, Amerikanistik |
de_DE |
| utue.publikation.fakultaet |
5 Philosophische Fakultät |
de_DE |
| dcterms.DCMIType |
Text |
de_DE |
| utue.publikation.typ |
article |
de_DE |
| utue.opus.id |
4972 |
de_DE |
| utue.opus.portal |
connotations |
de_DE |
| utue.opus.portalzaehlung |
201.01600 |
de_DE |
| utue.publikation.source |
Connotations ; 00201,016 |
de_DE |
| utue.publikation.reihenname |
Connotations: A Journal for Critical Debate |
en_en |
| utue.publikation.zsausgabe |
Vol. 2.1 (1992) |
en_en |
| utue.publikation.erstkatid |
2048778-2 |
|
