dc.contributor.author |
Becker, Manuel |
|
dc.date.accessioned |
2025-04-08T11:00:49Z |
|
dc.date.available |
2025-04-08T11:00:49Z |
|
dc.date.issued |
2024 |
|
dc.identifier.issn |
0177-4182 |
|
dc.identifier.uri |
http://hdl.handle.net/10900/163921 |
|
dc.language.iso |
de |
en |
dc.publisher |
Laaber : Laaber - Verlag |
de_DE |
dc.subject.ddc |
780 |
de_DE |
dc.title |
Die Bach-Rezeption in Videospielen |
de_DE |
dc.title.alternative |
The Reception of Bach in Video Games |
de_DE |
dc.type |
Article |
de_DE |
utue.quellen.id |
20241001000000_03297 |
|
utue.publikation.seiten |
143-156 |
de_DE |
utue.personen.roh |
Becker, Manuel |
|
dcterms.isPartOf.ZSTitelID |
Musiktheorie |
de_DE |
dcterms.isPartOf.ZS-Issue |
2 |
de_DE |
dcterms.isPartOf.ZS-Volume |
39 |
de_DE |
utue.fakultaet |
Universität Tübingen (ohne Fakultätsangabe) |
|