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  Gill, Frances (2025-07-10); Dissertation; Gill, Frances, 2012. Flute Lines: Experiencing Reconstructions Concerning Music. Bachelor dissertation in archaeology. School of Cultural Sciences, Linnaeus University, Kalmar/Växjö. Gill, Frances, 2016. Foraging for Sound: Towards a Palaeolithic Flutescape and its Tonal Associations. In: Eichmann, Ricardo/Fang Jianjun / Koch, Lars-Christian (Eds.), Studies in Music Archaeology X, Sound – Object – Culture – History. Verlag Marie Leidorf GmbH, Rahden/Westf, pp. 251-255. Gill, Frances, 2020. Ears to the Ground: On Cajsa Lund’s Legacy and Moving Movements. In: Kolltveit, Gjermund / Rainio, Riitta (Eds.), The Archaeology of Sound, Acoustics and Music: Studies in Honour of Cajsa S. Lund. ICTM Study Group on Music Archaeology, Vol. 3, Ekho Verlag, Berlin, pp 55-96. Gill, Frances / Petersson, Bodil / Weheliye, Fadumo 2021. An experimental approach to heritage and music through a SOUNDmound at Sandby borg, Sweden: developments in method and practice. In: Maloney, Liam / Schofield, John (Eds.), Music and Heritage: New Perspectives on Place-making and Sonic Identity. Routledge, London, pp. 201-211. Münzel, Susanne C. / Conard, Nicholas J. / Hein, Wulf / Gill, Frances / Potengowski, Anna Friederike, 2016. Interpreting Three Upper Palaeolithic Wind Instruments from Germany and One from France as Flutes. (Re)construction, Playing Techniques and Sonic Results. In: Eichmann, Ricardo/Fang Jianjun/Koch, Lars- Christian (Eds.), Studies in Music Archaeology X, Sound – Object – Culture – History. Verlag Marie Leidorf GmbH, Rahden/Westf, pp. 225-243.
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